|
||||||
Color Theory – Color VocabularyA Guide to How Colors Are Created and Relate to Each Other
Color theory explains color hue and value, while a color wheel illustrates how colors relate to each other.
It is important for artists to understand how colors are created and relate to each other in order to make good color selections for a project. The basics of color theory are hue, pure colors and how they are created; value, their intensity as darkness and lightness are added; and the color wheel, how colors relate to each other. Color HueHue is another word for color, particularly a pure saturated color. Most artists use the red-yellow-blue system of color identification, which is based on how colors need to be mixed in order to create new colors.
More colors can be created by mixing tertiary colors with primary and secondary colors, and those colors can be mixed with colors and so on, creating an infinite number of hues with slight color differences. There are also the three neutrals: white, black, and grey. In theory, they have no color in them, but usually a keen eye can detect some undertone of color, particularly in a white or grey color. For example, cream is a white with a yellow undertone. White and black are created in different ways, depending on the medium being used. Mixing all colors of light together produces white, while absence of light produces black. But mixing all colors of pigments together produces black or a dark brown. Color ValueColor value refers to the intensity of a color, how light or dark it is.
For example, different values of the saturated hue blue might be sky blue (tint), midnight blue (shade), and dove grey (tone). Various values of the same hue are called monochromatic colors. Color Wheel—A Rainbow of ColorHues are arranged around a color wheel in the same order they appear in the rainbow: red, orange, yellow, green, blue, violet (often shortened to the mnemonic device of ROY G. BV). This wheel illustrates how colors relate to each other and how they can best be used together:
Combinations of these relationships can be used if the artist wants to use even more colors. For example, a group of analogous colors plus their complement (for example, red, red-violet, red-orange, and green) will really make the complement color pop. Source:
The copyright of the article Color Theory – Color Vocabulary in Crafts is owned by Emily Chauviere. Permission to republish Color Theory – Color Vocabulary in print or online must be granted by the author in writing.
|
||||||
|
|
||||||
|
|
||||||